    The Project Gutenberg EBook of Glove Lore, by Unknown

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever.  You may copy it, give it away or re-use it under the terms of
    the Project Gutenberg License included with this eBook or online at
    www.gutenberg.org.  If you are not located in the United States, you'll have
    to check the laws of the country where you are located before using this ebook.

    Title: Glove Lore

    Author: Unknown

    Release Date: July 3, 2018 [EBook #57438]

    Language: English

    Character set encoding: UTF-8

    *** START OF THIS PROJECT GUTENBERG EBOOK GLOVE LORE ***

    Produced by Chris Curnow, Barry Abrahamsen, and the Online
    Distributed Proofreading Team at http://www.pgdp.net (This
    file was produced from images generously made available
    by The Internet Archive)

# GLOVE
LORE

THE PARIS GLOVE STORE
S. W. LAIRD & CO.
390 MAIN STREET
BUFFALO

Copyrighted 1897.
Otis H. Kean & Co.,
Compilers and Publishers
Advertising Literature,
Buffalo, N. Y.

## Introductory.

In presenting our Brochure on fall and winter gloves, it occurred to us that a few facts bearing upon the historical phase of the subject would not be amiss, and, though necessarily brief, we trust may prove interesting to our readers.

Our display of gloves for the present season shows the same characteristic excellence which has always been our aim, and a range of style and variety calculated to meet the requirements of the most exacting buyer.

We feel that in point of prices there is no need to make mention, since a liberal patronage is the truest indication of our policy in this regard, and we can promise in the future the same “sterling worth” we have given in the past.

Attention is also called to our corset department, in the belief, that for the lady who has not yet worn the Fascia Corset there awaits a real revelation, the extent of which she can appreciate, only when once encircled by the graceful curves of this, The Queen of all corsets.

## The Birth of the Glove.

“’Tis as I should entreat you, wear your glove.”
—Othello.

The first pair of gloves of which we have any record was the covering of skins which Jacob wore upon his hands to deceive his blind father, and it is a singular fact, that these hand-coverings, then used for deception and treachery, came in time to be a pledge of faith, a token of fidelity all over the world. The glove is unique in its universal use to symbolize good faith, from the Oriental custom of giving the purchaser a glove at the transfer of property, to its use as a love favor and a challenge.

Some authorities say that the use of gloves as a protection to the hands was known to the cave-dwellers. However this may be, it certainly was to the Romans and Greeks.

In the Norman period we find gloves worn only by men, and even then they were considered the appendages of the rich and great. They were an important factor on all ceremonial occasions, and were consequently very ornate and of rare material and workmanship, and many of them decorated with precious stones. The gloves of bishops were of silk and linen, richly embroidered, and those of monarchs were white with broad, pointed cuff. The presentation of the royal gloves at the coronation ceremony is a custom which still prevails, for in the records of Victoria’s coronation is the Duke of Norfolk’s petition to present the Queen’s coronation gloves.

While we of to-day use gloves only as a protection and an ornament, in the intervening centuries they had a significance aside from this. Churchmen wore gloves as a sign of purity; judges, as a token of the integrity of their office; men pledged their honor by their gloves; and perhaps we may be pardoned for saying that this custom still survives with us, since our gloves are sold “on honor.”

A Walking Glove.
Two-Clasp Piqué Glacé.
Two-Toned Stitching.
$1.00 to $2.00.

Gentleman’s Walking Glove.
English Cape Leather,
One Clasp at the Wrist,
Oak Tan and Red Shades are correct.
$1.00 to $2.25.

English Cape Leather Riding and Coaching Glove.
In Havana-Browns and Red Shades.
$1.00 to $2.00.

## Old Royal Gloves.

Some of the gloves worn by royal personages still exist. We illustrate a glove worn by England’s maiden queen, Elizabeth, and a very ornate affair it is—of fine white leather, profusely embroidered in gold thread, and having a yellow fringe and lined with drab silk. Elizabeth’s hands were very beautiful, we are told, the charm of which she was wont to display by the repeated removal of her gloves. DuMaurier writes how he had heard from his father “that, having been sent to her, at every audience he had with her majesty, she pulled off her gloves more than a hundred times to display her hands, which, indeed, were very beautiful and very white.” Either the royal hands were a deal larger than a lady of our time would care to possess, or they knew not in those days the grace of our perfect-fitting gloves, for those of Elizabeth’s are as much as three and one-half inches across the palm, and have a thumb five inches in length, the entire glove being about a half-yard.

We are told that gloves were not adopted by the gentler sex as a class until after the Reformation. But when once the fashion had taken hold of the feminine mind, they made up by lavish ornamentation what they had lost in time. Gloves of fine leather, with great cuffs elaborately ornamented with exquisite embroidery in rich and delicate silks, wrought with marvelous ingenuity and skill, now became a veritable mania. Lace-trimmed gloves were also worn; and a language of the glove arose, so that a secret correspondence could be carried on by certain knottings of the fringe.

Whatever may be said of the gloves of the past, they are at least picturesque and interesting, as well as varied in style.

A Theatre and Reception Glove.
Four-Button, White or Cream Glacé.
Broad Stitching of Black or Self-Color.
$1.00, $1.25, $1.50, $1.75, $2.00.

## Perfumed Gloves.

“Gloves as sweet as
damask roses.”
Shakespeare.

Thus did the peddler advertise his wares in the days of good Queen Bess. While perfumed gloves were used in both France and Spain prior to this time, it was the evident partiality of her dress-loving majesty that brought about a veritable perfume craze. Housewives became learned in the distillation of sweet waters, and the preparation of all manner of sweet-smelling essences. Ladies vied with each other in a lavish employment of scent. “All apparel was perfumed; hair and shoes and fans gave out sweet-smelling savor, and all kinds of jewelry contained cavities filled with strong essences. Perfumed gloves were not the least conspicuous of these toilet accessories.”

The ordinary method of perfuming the glove was to mix the substance or odor with oil, and rub it into the glove, or else to prepare a pomatum and smear it over the inner surface of the glove. Spain had now become famous for her embroidered and perfumed gloves, and thus the preference was shown for those of Spanish make, the fragrance of which was of a very enduring character.

This love of luxury and ultra-refinement now reached an extreme pitch. As Shakespeare says: “The very winds were love-sick with perfume.” Into their bath the fair ladies threw musk, amber, aloes, myrrh, cedar leaves, lavender, mint, and other fragrant herbs and spices—everything was made to give forth an aromatic fragrance—an unbridled luxury that bid fair to outdo the fair dames of Rome.

The use of perfumed gloves has never wholly died out. In France, and even in America, Russia leather gloves are worn to this day, for the sake of their aromatic quality.

A Semi-Dress Glove.
Two-Clasp or Four-Button.
Suéde or Glacé Kid.
$1.00 to $2.00.

## Something About Gauntlets.

The use of the glove as a challenge, carries us back to the chivalrous days of the armoured knights and ladies fair: the blare of trumpets, the neighing of steeds, the ring of steel as the gauntlet is flung into the lists, and the hush as it is taken up; the lance in rest, the clash of conflict—all, happily, but the romantic picture of the past.

The use of the glove as a gage is very ancient, and it involved the very highest point of honor.

Besides its use in the courts of chivalry, the glove was used in appeals of felony, and in civil disputes as to property. If a man accused of crime took his accuser’s glove on the point of his sword, and in the ensuing combat came out victorious, it was considered sufficient proof of his innocence. The same was true as to disputed ownership of land.

When the sovereign of England was crowned, it was customary for a knight to appear as champion, casting down the gauntlet, and challenging to mortal combat any who dared gainsay the monarch’s right. This ceremony was in use for the last time at the coronation of George IV.

When two knights rode together in combat, it would often happen that one wore in his helmet a dainty glove, a glove far different indeed from the steel one he had so recently taken up, the favor of some fair lady of his love, who was perhaps looking down upon him then. Thus he was for a second time bound to quit himself valiantly by the same token of a glove; a slight thing enough, but one which has ever been bound up with ideas of honor and deeds of knightly valor.

A Full-Dress Glove.
$1.50 to $4.00.

## Some Historical Gloves.

Among others of the gloves that remain from those old days, is a well-worn pair made of substantial leather, stitched with red and gold, and with a border pinked in the wrist. Very unpretentious, indeed, beside the hand-coverings of kings and queens and gilded nobles; yet their very wrinkles mean more to the world than the whole of that gaudy lot; for if tradition does not misinform us, these gloves were worn by England’s greatest son, Shakespeare. What a world of meaning that phrase attaches to these bits of leather, still bearing the imprint of the hand that penned the masterpieces of our literature.

We are reminded that the bard’s father was a glover by trade, and we of to-day certainly have cause to rejoice that the son was not enamored of his father’s following, for who knows but that the hand that startled the world by its touch might only have plied a modest craft.

Whatever may have been the shortcomings of the gloves of those days, certain it is there could be no complaint as to variety. Old records speak of “single gloves and gloves lin’d, top’d, lac’d, fringed with gold, silver, silk, and fur, and gloves of velvet, satin, and taffety.”

The practice of wearing gloves at night to impart delicacy to the skin was common, in the seventeenth century, to gentlemen as well as ladies. To even greater lengths did the fairer sex go towards beautifying their complexion. It was not uncommon to wear gloves lined with unguents, or to cover the face with a mask plastered inside with a perfumed pomade. Some steeped slices of raw veal in milk and laid them on the face. “Young and tender beauties bathed in milk; beauties who were no longer young, and far from tender, bathed in wine or the like.” Gloves of chicken skin were thought to have peculiar virtue, and were worn at night to make the hands soft and white. They were so fine in texture that they could be packed in a nut-shell, and were prized by cavaliers as dainty gifts for their lady-loves.

## Fascia.

When we introduced the Fascia Corset to the ladies of Buffalo, some three years since, it was in direct competition with all the most widely known makes. We were confident that the Fascia was superior to any of these, and that an article of such unqualified merit must eventually win the place it so markedly deserved.

The constant increase in the demand for Fascia Corsets shows conclusively in what regard they are now held by the ladies of Buffalo.

The Fascia is a Parisian-made corset, molded upon the forms of living models; thus, in the graceful flow of its lines, it reflects nature’s own handiwork. It is made up in French Coutille, French Zanilla, and Figured Italian Cloth, making a durable as well as a beautiful corset. The whole corset is carefully and thoroughly made, and only the very finest quality of Greenland Whalebone is used in its manufacture.

In short, it is the crowning masterpiece of the corset-maker’s art. Attention is called to the accompanying illustrations, which suggest some of our latest models.

Black $3.00 Fascia.

White $10.00 Fascia.

White Fascia, $7.50.
Black Fascia, $8.00.

- Transcriber’s Notes:
  - Illustrations were moved slightly to better match the printed page.
  - Inconsistent spelling and hyphenation were made consistent only when a predominant form was found in this book.

    End of the Project Gutenberg EBook of Glove Lore, by Unknown

    *** END OF THIS PROJECT GUTENBERG EBOOK GLOVE LORE ***

    ***** This file should be named 57438-h.htm or 57438-h.zip *****
    This and all associated files of various formats will be found in:
            http://www.gutenberg.org/5/7/4/3/57438/

    Produced by Chris Curnow, Barry Abrahamsen, and the Online
    Distributed Proofreading Team at http://www.pgdp.net (This
    file was produced from images generously made available
    by The Internet Archive)

    Updated editions will replace the previous one--the old editions will
    be renamed.

    Creating the works from print editions not protected by U.S. copyright
    law means that no one owns a United States copyright in these works,
    so the Foundation (and you!) can copy and distribute it in the United
    States without permission and without paying copyright
    royalties. Special rules, set forth in the General Terms of Use part
    of this license, apply to copying and distributing Project
    Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
    concept and trademark. Project Gutenberg is a registered trademark,
    and may not be used if you charge for the eBooks, unless you receive
    specific permission. If you do not charge anything for copies of this
    eBook, complying with the rules is very easy. You may use this eBook
    for nearly any purpose such as creation of derivative works, reports,
    performances and research. They may be modified and printed and given
    away--you may do practically ANYTHING in the United States with eBooks
    not protected by U.S. copyright law. Redistribution is subject to the
    trademark license, especially commercial redistribution.

    START: FULL LICENSE

    THE FULL PROJECT GUTENBERG LICENSE
    PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

    To protect the Project Gutenberg-tm mission of promoting the free
    distribution of electronic works, by using or distributing this work
    (or any other work associated in any way with the phrase "Project
    Gutenberg"), you agree to comply with all the terms of the Full
    Project Gutenberg-tm License available with this file or online at
    www.gutenberg.org/license.

    Section 1. General Terms of Use and Redistributing Project
    Gutenberg-tm electronic works

    1.A. By reading or using any part of this Project Gutenberg-tm
    electronic work, you indicate that you have read, understand, agree to
    and accept all the terms of this license and intellectual property
    (trademark/copyright) agreement. If you do not agree to abide by all
    the terms of this agreement, you must cease using and return or
    destroy all copies of Project Gutenberg-tm electronic works in your
    possession. If you paid a fee for obtaining a copy of or access to a
    Project Gutenberg-tm electronic work and you do not agree to be bound
    by the terms of this agreement, you may obtain a refund from the
    person or entity to whom you paid the fee as set forth in paragraph
    1.E.8.

    1.B. "Project Gutenberg" is a registered trademark. It may only be
    used on or associated in any way with an electronic work by people who
    agree to be bound by the terms of this agreement. There are a few
    things that you can do with most Project Gutenberg-tm electronic works
    even without complying with the full terms of this agreement. See
    paragraph 1.C below. There are a lot of things you can do with Project
    Gutenberg-tm electronic works if you follow the terms of this
    agreement and help preserve free future access to Project Gutenberg-tm
    electronic works. See paragraph 1.E below.

    1.C. The Project Gutenberg Literary Archive Foundation ("the
    Foundation" or PGLAF), owns a compilation copyright in the collection
    of Project Gutenberg-tm electronic works. Nearly all the individual
    works in the collection are in the public domain in the United
    States. If an individual work is unprotected by copyright law in the
    United States and you are located in the United States, we do not
    claim a right to prevent you from copying, distributing, performing,
    displaying or creating derivative works based on the work as long as
    all references to Project Gutenberg are removed. Of course, we hope
    that you will support the Project Gutenberg-tm mission of promoting
    free access to electronic works by freely sharing Project Gutenberg-tm
    works in compliance with the terms of this agreement for keeping the
    Project Gutenberg-tm name associated with the work. You can easily
    comply with the terms of this agreement by keeping this work in the
    same format with its attached full Project Gutenberg-tm License when
    you share it without charge with others.

    1.D. The copyright laws of the place where you are located also govern
    what you can do with this work. Copyright laws in most countries are
    in a constant state of change. If you are outside the United States,
    check the laws of your country in addition to the terms of this
    agreement before downloading, copying, displaying, performing,
    distributing or creating derivative works based on this work or any
    other Project Gutenberg-tm work. The Foundation makes no
    representations concerning the copyright status of any work in any
    country outside the United States.

    1.E. Unless you have removed all references to Project Gutenberg:

    1.E.1. The following sentence, with active links to, or other
    immediate access to, the full Project Gutenberg-tm License must appear
    prominently whenever any copy of a Project Gutenberg-tm work (any work
    on which the phrase "Project Gutenberg" appears, or with which the
    phrase "Project Gutenberg" is associated) is accessed, displayed,
    performed, viewed, copied or distributed:

      This eBook is for the use of anyone anywhere in the United States and
      most other parts of the world at no cost and with almost no
      restrictions whatsoever. You may copy it, give it away or re-use it
      under the terms of the Project Gutenberg License included with this
      eBook or online at www.gutenberg.org. If you are not located in the
      United States, you'll have to check the laws of the country where you
      are located before using this ebook.

    1.E.2. If an individual Project Gutenberg-tm electronic work is
    derived from texts not protected by U.S. copyright law (does not
    contain a notice indicating that it is posted with permission of the
    copyright holder), the work can be copied and distributed to anyone in
    the United States without paying any fees or charges. If you are
    redistributing or providing access to a work with the phrase "Project
    Gutenberg" associated with or appearing on the work, you must comply
    either with the requirements of paragraphs 1.E.1 through 1.E.7 or
    obtain permission for the use of the work and the Project Gutenberg-tm
    trademark as set forth in paragraphs 1.E.8 or 1.E.9.

    1.E.3. If an individual Project Gutenberg-tm electronic work is posted
    with the permission of the copyright holder, your use and distribution
    must comply with both paragraphs 1.E.1 through 1.E.7 and any
    additional terms imposed by the copyright holder. Additional terms
    will be linked to the Project Gutenberg-tm License for all works
    posted with the permission of the copyright holder found at the
    beginning of this work.

    1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
    License terms from this work, or any files containing a part of this
    work or any other work associated with Project Gutenberg-tm.

    1.E.5. Do not copy, display, perform, distribute or redistribute this
    electronic work, or any part of this electronic work, without
    prominently displaying the sentence set forth in paragraph 1.E.1 with
    active links or immediate access to the full terms of the Project
    Gutenberg-tm License.

    1.E.6. You may convert to and distribute this work in any binary,
    compressed, marked up, nonproprietary or proprietary form, including
    any word processing or hypertext form. However, if you provide access
    to or distribute copies of a Project Gutenberg-tm work in a format
    other than "Plain Vanilla ASCII" or other format used in the official
    version posted on the official Project Gutenberg-tm web site
    (www.gutenberg.org), you must, at no additional cost, fee or expense
    to the user, provide a copy, a means of exporting a copy, or a means
    of obtaining a copy upon request, of the work in its original "Plain
    Vanilla ASCII" or other form. Any alternate format must include the
    full Project Gutenberg-tm License as specified in paragraph 1.E.1.

    1.E.7. Do not charge a fee for access to, viewing, displaying,
    performing, copying or distributing any Project Gutenberg-tm works
    unless you comply with paragraph 1.E.8 or 1.E.9.

    1.E.8. You may charge a reasonable fee for copies of or providing
    access to or distributing Project Gutenberg-tm electronic works
    provided that

    * You pay a royalty fee of 20% of the gross profits you derive from
      the use of Project Gutenberg-tm works calculated using the method
      you already use to calculate your applicable taxes. The fee is owed
      to the owner of the Project Gutenberg-tm trademark, but he has
      agreed to donate royalties under this paragraph to the Project
      Gutenberg Literary Archive Foundation. Royalty payments must be paid
      within 60 days following each date on which you prepare (or are
      legally required to prepare) your periodic tax returns. Royalty
      payments should be clearly marked as such and sent to the Project
      Gutenberg Literary Archive Foundation at the address specified in
      Section 4, "Information about donations to the Project Gutenberg
      Literary Archive Foundation."

    * You provide a full refund of any money paid by a user who notifies
      you in writing (or by e-mail) within 30 days of receipt that s/he
      does not agree to the terms of the full Project Gutenberg-tm
      License. You must require such a user to return or destroy all
      copies of the works possessed in a physical medium and discontinue
      all use of and all access to other copies of Project Gutenberg-tm
      works.

    * You provide, in accordance with paragraph 1.F.3, a full refund of
      any money paid for a work or a replacement copy, if a defect in the
      electronic work is discovered and reported to you within 90 days of
      receipt of the work.

    * You comply with all other terms of this agreement for free
      distribution of Project Gutenberg-tm works.

    1.E.9. If you wish to charge a fee or distribute a Project
    Gutenberg-tm electronic work or group of works on different terms than
    are set forth in this agreement, you must obtain permission in writing
    from both the Project Gutenberg Literary Archive Foundation and The
    Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
    trademark. Contact the Foundation as set forth in Section 3 below.

    1.F.

    1.F.1. Project Gutenberg volunteers and employees expend considerable
    effort to identify, do copyright research on, transcribe and proofread
    works not protected by U.S. copyright law in creating the Project
    Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
    electronic works, and the medium on which they may be stored, may
    contain "Defects," such as, but not limited to, incomplete, inaccurate
    or corrupt data, transcription errors, a copyright or other
    intellectual property infringement, a defective or damaged disk or
    other medium, a computer virus, or computer codes that damage or
    cannot be read by your equipment.

    1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
    of Replacement or Refund" described in paragraph 1.F.3, the Project
    Gutenberg Literary Archive Foundation, the owner of the Project
    Gutenberg-tm trademark, and any other party distributing a Project
    Gutenberg-tm electronic work under this agreement, disclaim all
    liability to you for damages, costs and expenses, including legal
    fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
    LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
    PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
    TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
    LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
    INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
    DAMAGE.

    1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
    defect in this electronic work within 90 days of receiving it, you can
    receive a refund of the money (if any) you paid for it by sending a
    written explanation to the person you received the work from. If you
    received the work on a physical medium, you must return the medium
    with your written explanation. The person or entity that provided you
    with the defective work may elect to provide a replacement copy in
    lieu of a refund. If you received the work electronically, the person
    or entity providing it to you may choose to give you a second
    opportunity to receive the work electronically in lieu of a refund. If
    the second copy is also defective, you may demand a refund in writing
    without further opportunities to fix the problem.

    1.F.4. Except for the limited right of replacement or refund set forth
    in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
    OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
    LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

    1.F.5. Some states do not allow disclaimers of certain implied
    warranties or the exclusion or limitation of certain types of
    damages. If any disclaimer or limitation set forth in this agreement
    violates the law of the state applicable to this agreement, the
    agreement shall be interpreted to make the maximum disclaimer or
    limitation permitted by the applicable state law. The invalidity or
    unenforceability of any provision of this agreement shall not void the
    remaining provisions.

    1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
    trademark owner, any agent or employee of the Foundation, anyone
    providing copies of Project Gutenberg-tm electronic works in
    accordance with this agreement, and any volunteers associated with the
    production, promotion and distribution of Project Gutenberg-tm
    electronic works, harmless from all liability, costs and expenses,
    including legal fees, that arise directly or indirectly from any of
    the following which you do or cause to occur: (a) distribution of this
    or any Project Gutenberg-tm work, (b) alteration, modification, or
    additions or deletions to any Project Gutenberg-tm work, and (c) any
    Defect you cause.

    Section 2. Information about the Mission of Project Gutenberg-tm

    Project Gutenberg-tm is synonymous with the free distribution of
    electronic works in formats readable by the widest variety of
    computers including obsolete, old, middle-aged and new computers. It
    exists because of the efforts of hundreds of volunteers and donations
    from people in all walks of life.

    Volunteers and financial support to provide volunteers with the
    assistance they need are critical to reaching Project Gutenberg-tm's
    goals and ensuring that the Project Gutenberg-tm collection will
    remain freely available for generations to come. In 2001, the Project
    Gutenberg Literary Archive Foundation was created to provide a secure
    and permanent future for Project Gutenberg-tm and future
    generations. To learn more about the Project Gutenberg Literary
    Archive Foundation and how your efforts and donations can help, see
    Sections 3 and 4 and the Foundation information page at
    www.gutenberg.org

    Section 3. Information about the Project Gutenberg Literary Archive Foundation

    The Project Gutenberg Literary Archive Foundation is a non profit
    501(c)(3) educational corporation organized under the laws of the
    state of Mississippi and granted tax exempt status by the Internal
    Revenue Service. The Foundation's EIN or federal tax identification
    number is 64-6221541. Contributions to the Project Gutenberg Literary
    Archive Foundation are tax deductible to the full extent permitted by
    U.S. federal laws and your state's laws.

    The Foundation's principal office is in Fairbanks, Alaska, with the
    mailing address: PO Box 750175, Fairbanks, AK 99775, but its
    volunteers and employees are scattered throughout numerous
    locations. Its business office is located at 809 North 1500 West, Salt
    Lake City, UT 84116, (801) 596-1887. Email contact links and up to
    date contact information can be found at the Foundation's web site and
    official page at www.gutenberg.org/contact

    For additional contact information:

        Dr. Gregory B. Newby
        Chief Executive and Director
        gbnewby@pglaf.org

    Section 4. Information about Donations to the Project Gutenberg
    Literary Archive Foundation

    Project Gutenberg-tm depends upon and cannot survive without wide
    spread public support and donations to carry out its mission of
    increasing the number of public domain and licensed works that can be
    freely distributed in machine readable form accessible by the widest
    array of equipment including outdated equipment. Many small donations
    ($1 to $5,000) are particularly important to maintaining tax exempt
    status with the IRS.

    The Foundation is committed to complying with the laws regulating
    charities and charitable donations in all 50 states of the United
    States. Compliance requirements are not uniform and it takes a
    considerable effort, much paperwork and many fees to meet and keep up
    with these requirements. We do not solicit donations in locations
    where we have not received written confirmation of compliance. To SEND
    DONATIONS or determine the status of compliance for any particular
    state visit www.gutenberg.org/donate

    While we cannot and do not solicit contributions from states where we
    have not met the solicitation requirements, we know of no prohibition
    against accepting unsolicited donations from donors in such states who
    approach us with offers to donate.

    International donations are gratefully accepted, but we cannot make
    any statements concerning tax treatment of donations received from
    outside the United States. U.S. laws alone swamp our small staff.

    Please check the Project Gutenberg Web pages for current donation
    methods and addresses. Donations are accepted in a number of other
    ways including checks, online payments and credit card donations. To
    donate, please visit: www.gutenberg.org/donate

    Section 5. General Information About Project Gutenberg-tm electronic works.

    Professor Michael S. Hart was the originator of the Project
    Gutenberg-tm concept of a library of electronic works that could be
    freely shared with anyone. For forty years, he produced and
    distributed Project Gutenberg-tm eBooks with only a loose network of
    volunteer support.

    Project Gutenberg-tm eBooks are often created from several printed
    editions, all of which are confirmed as not protected by copyright in
    the U.S. unless a copyright notice is included. Thus, we do not
    necessarily keep eBooks in compliance with any particular paper
    edition.

    Most people start at our Web site which has the main PG search
    facility: www.gutenberg.org

    This Web site includes information about Project Gutenberg-tm,
    including how to make donations to the Project Gutenberg Literary
    Archive Foundation, how to help produce our new eBooks, and how to
    subscribe to our email newsletter to hear about new eBooks.