## THE HISTORY OF DON QUIXOTE, By Cervantes, I-v17

    The Project Gutenberg EBook Don Quixote, I-v17, by Cervantes, Illustrated
    #19 in our series by Miguel de Cervantes
    [Illustrated by Gustave Dore; Translation of Ormsby][Part I.,Chapter 50]

    Copyright laws are changing all over the world. Be sure to check the
    copyright laws for your country before downloading or redistributing
    this or any other Project Gutenberg eBook.

    This header should be the first thing seen when viewing this Project
    Gutenberg file.  Please do not remove it.  Do not change or edit the
    header without written permission.

    Please read the "legal small print," and other information about the
    eBook and Project Gutenberg at the bottom of this file.  Included is
    important information about your specific rights and restrictions in
    how the file may be used.  You can also find out about how to make a
    donation to Project Gutenberg, and how to get involved.

    **Welcome To The World of Free Plain Vanilla Electronic Texts**

    **EBooks Readable By Both Humans and By Computers, Since 1971**

    *****These EBooks Were Prepared By Thousands of Volunteers*****

    Title: The History of Don Quixote, with Illustrations by Dore, v17

    Author: Miguel de Cervantes

    Release Date: June, 2004  [EBook #5919]
    [Yes, we are more than one year ahead of schedule]
    [This file was first posted on September 29, 2002]

    Edition: 10

    Language: English

    Character set encoding: ASCII

    *** START OF THE PROJECT GUTENBERG EBOOK DON QUIXOTE, I-17, CERVANTES ***

    This eBook was produced by David Widger [widger@cecomet.net]

# DON QUIXOTE

## by Miguel de Cervantes

### Translated by John Ormsby

### Part I, Volume 17
Chapter 50

> > ### Ebook Editor's Note

> > The book cover and spine above and the images which follow were not part of the original Ormsby translation--they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Full Size" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel that these woodcuts and steel engravings well match the dreams of the man from La Mancha. D.W.

## CONTENTS

### Part I.

>     CHAPTER L
>     OF THE SHREWD CONTROVERSY WHICH DON QUIXOTE AND THE CANON HELD,
>     TOGETHER WITH OTHER INCIDENTS

## CHAPTER L.

### OF THE SHREWD CONTROVERSY WHICH DON QUIXOTE AND THE CANON HELD, TOGETHER WITH OTHER INCIDENTS

"A good joke, that!" returned Don Quixote. "Books that have been printed with the king's licence, and with the approbation of those to whom they have been submitted, and read with universal delight, and extolled by great and small, rich and poor, learned and ignorant, gentle and simple, in a word by people of every sort, of whatever rank or condition they may be--that these should be lies! And above all when they carry such an appearance of truth with them; for they tell us the father, mother, country, kindred, age, place, and the achievements, step by step, and day by day, performed by such a knight or knights! Hush, sir; utter not such blasphemy; trust me I am advising you now to act as a sensible man should; only read them, and you will see the pleasure you will derive from them. For, come, tell me, can there be anything more delightful than to see, as it were, here now displayed before us a vast lake of bubbling pitch with a host of snakes and serpents and lizards, and ferocious and terrible creatures of all sorts swimming about in it, while from the middle of the lake there comes a plaintive voice saying: 'Knight, whosoever thou art who beholdest this dread lake, if thou wouldst win the prize that lies hidden beneath these dusky waves, prove the valour of thy stout heart and cast thyself into the midst of its dark burning waters, else thou shalt not be worthy to see the mighty wonders contained in the seven castles of the seven Fays that lie beneath this black expanse;' and then the knight, almost ere the awful voice has ceased, without stopping to consider, without pausing to reflect upon the danger to which he is exposing himself, without even relieving himself of the weight of his massive armour, commending himself to God and to his lady, plunges into the midst of the boiling lake, and when he little looks for it, or knows what his fate is to be, he finds himself among flowery meadows, with which the Elysian fields are not to be compared.

The sky seems more transparent there, and the sun shines with a strange brilliancy, and a delightful grove of green leafy trees presents itself to the eyes and charms the sight with its verdure, while the ear is soothed by the sweet untutored melody of the countless birds of gay plumage that flit to and fro among the interlacing branches. Here he sees a brook whose limpid waters, like liquid crystal, ripple over fine sands and white pebbles that look like sifted gold and purest pearls. There he perceives a cunningly wrought fountain of many-coloured jasper and polished marble; here another of rustic fashion where the little mussel-shells and the spiral white and yellow mansions of the snail disposed in studious disorder, mingled with fragments of glittering crystal and mock emeralds, make up a work of varied aspect, where art, imitating nature, seems to have outdone it.

Suddenly there is presented to his sight a strong castle or gorgeous palace with walls of massy gold, turrets of diamond and gates of jacinth; in short, so marvellous is its structure that though the materials of which it is built are nothing less than diamonds, carbuncles, rubies, pearls, gold, and emeralds, the workmanship is still more rare. And after having seen all this, what can be more charming than to see how a bevy of damsels comes forth from the gate of the castle in gay and gorgeous attire, such that, were I to set myself now to depict it as the histories describe it to us, I should never have done; and then how she who seems to be the first among them all takes the bold knight who plunged into the boiling lake by the hand, and without addressing a word to him leads him into the rich palace or castle, and strips him as naked as when his mother bore him, and bathes him in lukewarm water, and anoints him all over with sweet-smelling unguents, and clothes him in a shirt of the softest sendal, all scented and perfumed, while another damsel comes and throws over his shoulders a mantle which is said to be worth at the very least a city, and even more? How charming it is, then, when they tell us how, after all this, they lead him to another chamber where he finds the tables set out in such style that he is filled with amazement and wonder; to see how they pour out water for his hands distilled from amber and sweet-scented flowers; how they seat him on an ivory chair; to see how the damsels wait on him all in profound silence; how they bring him such a variety of dainties so temptingly prepared that the appetite is at a loss which to select; to hear the music that resounds while he is at table, by whom or whence produced he knows not. And then when the repast is over and the tables removed, for the knight to recline in the chair, picking his teeth perhaps as usual, and a damsel, much lovelier than any of the others, to enter unexpectedly by the chamber door, and herself by his side, and begin to tell him what the castle is, and how she is held enchanted there, and other things that amaze the knight and astonish the readers who are perusing his history.

But I will not expatiate any further upon this, as it may be gathered from it that whatever part of whatever history of a knight-errant one reads, it will fill the reader, whoever he be, with delight and wonder; and take my advice, sir, and, as I said before, read these books and you will see how they will banish any melancholy you may feel and raise your spirits should they be depressed. For myself I can say that since I have been a knight-errant I have become valiant, polite, generous, well-bred, magnanimous, courteous, dauntless, gentle, patient, and have learned to bear hardships, imprisonments, and enchantments; and though it be such a short time since I have seen myself shut up in a cage like a madman, I hope by the might of my arm, if heaven aid me and fortune thwart me not, to see myself king of some kingdom where I may be able to show the gratitude and generosity that dwell in my heart; for by my faith, senor, the poor man is incapacitated from showing the virtue of generosity to anyone, though he may possess it in the highest degree; and gratitude that consists of disposition only is a dead thing, just as faith without works is dead. For this reason I should be glad were fortune soon to offer me some opportunity of making myself an emperor, so as to show my heart in doing good to my friends, particularly to this poor Sancho Panza, my squire, who is the best fellow in the world; and I would gladly give him a county I have promised him this ever so long, only that I am afraid he has not the capacity to govern his realm."

Sancho partly heard these last words of his master, and said to him, "Strive hard you, Senor Don Quixote, to give me that county so often promised by you and so long looked for by me, for I promise you there will be no want of capacity in me to govern it; and even if there is, I have heard say there are men in the world who farm seigniories, paying so much a year, and they themselves taking charge of the government, while the lord, with his legs stretched out, enjoys the revenue they pay him, without troubling himself about anything else. That's what I'll do, and not stand haggling over trifles, but wash my hands at once of the whole business, and enjoy my rents like a duke, and let things go their own way."

"That, brother Sancho," said the canon, "only holds good as far as the enjoyment of the revenue goes; but the lord of the seigniory must attend to the administration of justice, and here capacity and sound judgment come in, and above all a firm determination to find out the truth; for if this be wanting in the beginning, the middle and the end will always go wrong; and God as commonly aids the honest intentions of the simple as he frustrates the evil designs of the crafty."

"I don't understand those philosophies," returned Sancho Panza; "all I know is I would I had the county as soon as I shall know how to govern it; for I have as much soul as another, and as much body as anyone, and I shall be as much king of my realm as any other of his; and being so I should do as I liked, and doing as I liked I should please myself, and pleasing myself I should be content, and when one is content he has nothing more to desire, and when one has nothing more to desire there is an end of it; so let the county come, and God he with you, and let us see one another, as one blind man said to the other."

"That is not bad philosophy thou art talking, Sancho," said the canon; "but for all that there is a good deal to be said on this matter of counties."

To which Don Quixote returned, "I know not what more there is to be said; I only guide myself by the example set me by the great Amadis of Gaul, when he made his squire count of the Insula Firme; and so, without any scruples of conscience, I can make a count of Sancho Panza, for he is one of the best squires that ever knight-errant had."

The canon was astonished at the methodical nonsense (if nonsense be capable of method) that Don Quixote uttered, at the way in which he had described the adventure of the knight of the lake, at the impression that the deliberate lies of the books he read had made upon him, and lastly he marvelled at the simplicity of Sancho, who desired so eagerly to obtain the county his master had promised him.

By this time the canon's servants, who had gone to the inn to fetch the sumpter mule, had returned, and making a carpet and the green grass of the meadow serve as a table, they seated themselves in the shade of some trees and made their repast there, that the carter might not be deprived of the advantage of the spot, as has been already said. As they were eating they suddenly heard a loud noise and the sound of a bell that seemed to come from among some brambles and thick bushes that were close by, and the same instant they observed a beautiful goat, spotted all over black, white, and brown, spring out of the thicket with a goatherd after it, calling to it and uttering the usual cries to make it stop or turn back to the fold. The fugitive goat, scared and frightened, ran towards the company as if seeking their protection and then stood still, and the goatherd coming up seized it by the horns and began to talk to it as if it were possessed of reason and understanding: "Ah wanderer, wanderer, Spotty, Spotty; how have you gone limping all this time? What wolves have frightened you, my daughter? Won't you tell me what is the matter, my beauty? But what else can it be except that you are a she, and cannot keep quiet? A plague on your humours and the humours of those you take after! Come back, come back, my darling; and if you will not be so happy, at any rate you will be safe in the fold or with your companions; for if you who ought to keep and lead them, go wandering astray, what will become of them?"

The goatherd's talk amused all who heard it, but especially the canon, who said to him, "As you live, brother, take it easy, and be not in such a hurry to drive this goat back to the fold; for, being a female, as you say, she will follow her natural instinct in spite of all you can do to prevent it. Take this morsel and drink a sup, and that will soothe your irritation, and in the meantime the goat will rest herself," and so saying, he handed him the loins of a cold rabbit on a fork.

The goatherd took it with thanks, and drank and calmed himself, and then said, "I should be sorry if your worships were to take me for a simpleton for having spoken so seriously as I did to this animal; but the truth is there is a certain mystery in the words I used. I am a clown, but not so much of one but that I know how to behave to men and to beasts."

"That I can well believe," said the curate, "for I know already by experience that the woods breed men of learning, and shepherds' harbour philosophers."

"At all events, senor," returned the goatherd, "they shelter men of experience; and that you may see the truth of this and grasp it, though I may seem to put myself forward without being asked, I will, if it will not tire you, gentlemen, and you will give me your attention for a little, tell you a true story which will confirm this gentleman's word (and he pointed to the curate) as well as my own."

To this Don Quixote replied, "Seeing that this affair has a certain colour of chivalry about it, I for my part, brother, will hear you most gladly, and so will all these gentlemen, from the high intelligence they possess and their love of curious novelties that interest, charm, and entertain the mind, as I feel quite sure your story will do. So begin, friend, for we are all prepared to listen."

"I draw my stakes," said Sancho, "and will retreat with this pasty to the brook there, where I mean to victual myself for three days; for I have heard my lord, Don Quixote, say that a knight-errant's squire should eat until he can hold no more, whenever he has the chance, because it often happens them to get by accident into a wood so thick that they cannot find a way out of it for six days; and if the man is not well filled or his alforjas well stored, there he may stay, as very often he does, turned into a dried mummy."

"Thou art in the right of it, Sancho," said Don Quixote; "go where thou wilt and eat all thou canst, for I have had enough, and only want to give my mind its refreshment, as I shall by listening to this good fellow's story."

"It is what we shall all do," said the canon; and then begged the goatherd to begin the promised tale.

The goatherd gave the goat which he held by the horns a couple of slaps on the back, saying, "Lie down here beside me, Spotty, for we have time enough to return to our fold." The goat seemed to understand him, for as her master seated himself, she stretched herself quietly beside him and looked up in his face to show him she was all attention to what he was going to say, and then in these words he began his story.

    *** END OF THE PROJECT GUTENBERG EBOOK DON QUIXOTE, I-17, BY CERVANTES ***

    ******** This file should be named qx17w10h.html or qx17w10h.zip *********

    Corrected EDITIONS of our eBooks get a new NUMBER, qx17w11h.html
    VERSIONS based on separate sources get new LETTER, qx17w10ha.html

    This eBook was produced by David Widger [widger@cecomet.net]

    Project Gutenberg eBooks are often created from several printed
    editions, all of which are confirmed as Public Domain in the US
    unless a copyright notice is included.  Thus, we usually do not
    keep eBooks in compliance with any particular paper edition.

    We are now trying to release all our eBooks one year in advance
    of the official release dates, leaving time for better editing.
    Please be encouraged to tell us about any error or corrections,
    even years after the official publication date.

    Please note neither this listing nor its contents are final til
    midnight of the last day of the month of any such announcement.
    The official release date of all Project Gutenberg eBooks is at
    Midnight, Central Time, of the last day of the stated month.  A
    preliminary version may often be posted for suggestion, comment
    and editing by those who wish to do so.

    Most people start at our Web sites at:
    http://gutenberg.net or
    http://promo.net/pg

    These Web sites include award-winning information about Project
    Gutenberg, including how to donate, how to help produce our new
    eBooks, and how to subscribe to our email newsletter (free!).

    Those of you who want to download any eBook before announcement
    can get to them as follows, and just download by date.  This is
    also a good way to get them instantly upon announcement, as the
    indexes our cataloguers produce obviously take a while after an
    announcement goes out in the Project Gutenberg Newsletter.

    http://www.ibiblio.org/gutenberg/etext03 or
    ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

    Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

    Just search by the first five letters of the filename you want,
    as it appears in our Newsletters.

    Information about Project Gutenberg (one page)

    We produce about two million dollars for each hour we work.  The
    time it takes us, a rather conservative estimate, is fifty hours
    to get any eBook selected, entered, proofread, edited, copyright
    searched and analyzed, the copyright letters written, etc.   Our
    projected audience is one hundred million readers.  If the value
    per text is nominally estimated at one dollar then we produce $2
    million dollars per hour in 2002 as we release over 100 new text
    files per month:  1240 more eBooks in 2001 for a total of 4000+
    We are already on our way to trying for 2000 more eBooks in 2002
    If they reach just 1-2% of the world's population then the total
    will reach over half a trillion eBooks given away by year's end.

    The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
    This is ten thousand titles each to one hundred million readers,
    which is only about 4% of the present number of computer users.

    Here is the briefest record of our progress (* means estimated):

    eBooks Year Month

        1  1971 July
       10  1991 January
      100  1994 January
     1000  1997 August
     1500  1998 October
     2000  1999 December
     2500  2000 December
     3000  2001 November
     4000  2001 October/November
     6000  2002 December*
     9000  2003 November*
    10000  2004 January*

    The Project Gutenberg Literary Archive Foundation has been created
    to secure a future for Project Gutenberg into the next millennium.

    We need your donations more than ever!

    As of February, 2002, contributions are being solicited from people
    and organizations in: Alabama, Alaska, Arkansas, Connecticut,
    Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
    Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
    Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
    Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
    Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
    Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
    Virginia, Wisconsin, and Wyoming.

    We have filed in all 50 states now, but these are the only ones
    that have responded.

    As the requirements for other states are met, additions to this list
    will be made and fund raising will begin in the additional states.
    Please feel free to ask to check the status of your state.

    In answer to various questions we have received on this:

    We are constantly working on finishing the paperwork to legally
    request donations in all 50 states.  If your state is not listed and
    you would like to know if we have added it since the list you have,
    just ask.

    While we cannot solicit donations from people in states where we are
    not yet registered, we know of no prohibition against accepting
    donations from donors in these states who approach us with an offer to
    donate.

    International donations are accepted, but we don't know ANYTHING about
    how to make them tax-deductible, or even if they CAN be made
    deductible, and don't have the staff to handle it even if there are
    ways.

    Donations by check or money order may be sent to:

    Project Gutenberg Literary Archive Foundation
    PMB 113
    1739 University Ave.
    Oxford, MS 38655-4109

    Contact us if you want to arrange for a wire transfer or payment
    method other than by check or money order.

    The Project Gutenberg Literary Archive Foundation has been approved by
    the US Internal Revenue Service as a 501(c)(3) organization with EIN
    [Employee Identification Number] 64-622154.  Donations are
    tax-deductible to the maximum extent permitted by law.  As fund-raising
    requirements for other states are met, additions to this list will be
    made and fund-raising will begin in the additional states.

    We need your donations more than ever!

    You can get up to date donation information online at:

    http://www.gutenberg.net/donation.html

    ***

    If you can't reach Project Gutenberg,
    you can always email directly to:

    Michael S. Hart [hart@pobox.com]

    Prof. Hart will answer or forward your message.

    We would prefer to send you information by email.

    **The Legal Small Print**

    (Three Pages)

    ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
    Why is this "Small Print!" statement here? You know: lawyers.
    They tell us you might sue us if there is something wrong with
    your copy of this eBook, even if you got it for free from
    someone other than us, and even if what's wrong is not our
    fault. So, among other things, this "Small Print!" statement
    disclaims most of our liability to you. It also tells you how
    you may distribute copies of this eBook if you want to.

    *BEFORE!* YOU USE OR READ THIS EBOOK
    By using or reading any part of this PROJECT GUTENBERG-tm
    eBook, you indicate that you understand, agree to and accept
    this "Small Print!" statement. If you do not, you can receive
    a refund of the money (if any) you paid for this eBook by
    sending a request within 30 days of receiving it to the person
    you got it from. If you received this eBook on a physical
    medium (such as a disk), you must return it with your request.

    ABOUT PROJECT GUTENBERG-TM EBOOKS
    This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
    is a "public domain" work distributed by Professor Michael S. Hart
    through the Project Gutenberg Association (the "Project").
    Among other things, this means that no one owns a United States copyright
    on or for this work, so the Project (and you!) can copy and
    distribute it in the United States without permission and
    without paying copyright royalties. Special rules, set forth
    below, apply if you wish to copy and distribute this eBook
    under the "PROJECT GUTENBERG" trademark.

    Please do not use the "PROJECT GUTENBERG" trademark to market
    any commercial products without permission.

    To create these eBooks, the Project expends considerable
    efforts to identify, transcribe and proofread public domain
    works. Despite these efforts, the Project's eBooks and any
    medium they may be on may contain "Defects". Among other
    things, Defects may take the form of incomplete, inaccurate or
    corrupt data, transcription errors, a copyright or other
    intellectual property infringement, a defective or damaged
    disk or other eBook medium, a computer virus, or computer
    codes that damage or cannot be read by your equipment.

    LIMITED WARRANTY; DISCLAIMER OF DAMAGES
    But for the "Right of Replacement or Refund" described below,
    [1] Michael Hart and the Foundation (and any other party you may
    receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
    all liability to you for damages, costs and expenses, including
    legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
    UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
    INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
    OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
    POSSIBILITY OF SUCH DAMAGES.

    If you discover a Defect in this eBook within 90 days of
    receiving it, you can receive a refund of the money (if any)
    you paid for it by sending an explanatory note within that
    time to the person you received it from. If you received it
    on a physical medium, you must return it with your note, and
    such person may choose to alternatively give you a replacement
    copy. If you received it electronically, such person may
    choose to alternatively give you a second opportunity to
    receive it electronically.

    THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
    WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
    TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
    LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
    PARTICULAR PURPOSE.

    Some states do not allow disclaimers of implied warranties or
    the exclusion or limitation of consequential damages, so the
    above disclaimers and exclusions may not apply to you, and you
    may have other legal rights.

    INDEMNITY
    You will indemnify and hold Michael Hart, the Foundation,
    and its trustees and agents, and any volunteers associated
    with the production and distribution of Project Gutenberg-tm
    texts harmless, from all liability, cost and expense, including
    legal fees, that arise directly or indirectly from any of the
    following that you do or cause:  [1] distribution of this eBook,
    [2] alteration, modification, or addition to the eBook,
    or [3] any Defect.

    DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
    You may distribute copies of this eBook electronically, or by
    disk, book or any other medium if you either delete this
    "Small Print!" and all other references to Project Gutenberg,
    or:

    [1]  Only give exact copies of it.  Among other things, this
         requires that you do not remove, alter or modify the
         eBook or this "small print!" statement.  You may however,
         if you wish, distribute this eBook in machine readable
         binary, compressed, mark-up, or proprietary form,
         including any form resulting from conversion by word
         processing or hypertext software, but only so long as
         *EITHER*:

         [*]  The eBook, when displayed, is clearly readable, and
              does *not* contain characters other than those
              intended by the author of the work, although tilde
              (~), asterisk (*) and underline (_) characters may
              be used to convey punctuation intended by the
              author, and additional characters may be used to
              indicate hypertext links; OR

         [*]  The eBook may be readily converted by the reader at
              no expense into plain ASCII, EBCDIC or equivalent
              form by the program that displays the eBook (as is
              the case, for instance, with most word processors);
              OR

         [*]  You provide, or agree to also provide on request at
              no additional cost, fee or expense, a copy of the
              eBook in its original plain ASCII form (or in EBCDIC
              or other equivalent proprietary form).

    [2]  Honor the eBook refund and replacement provisions of this
         "Small Print!" statement.

    [3]  Pay a trademark license fee to the Foundation of 20% of the
         gross profits you derive calculated using the method you
         already use to calculate your applicable taxes.  If you
         don't derive profits, no royalty is due.  Royalties are
         payable to "Project Gutenberg Literary Archive Foundation"
         the 60 days following each date you prepare (or were
         legally required to prepare) your annual (or equivalent
         periodic) tax return.  Please contact us beforehand to
         let us know your plans and to work out the details.

    WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
    Project Gutenberg is dedicated to increasing the number of
    public domain and licensed works that can be freely distributed
    in machine readable form.

    The Project gratefully accepts contributions of money, time,
    public domain materials, or royalty free copyright licenses.
    Money should be paid to the:
    "Project Gutenberg Literary Archive Foundation."

    If you are interested in contributing scanning equipment or
    software or other items, please contact Michael Hart at:
    hart@pobox.com

    [Portions of this eBook's header and trailer may be reprinted only
    when distributed free of all fees.  Copyright (C) 2001, 2002 by
    Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
    used in any sales of Project Gutenberg eBooks or other materials be
    they hardware or software or any other related product without
    express permission.]

    *END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*